A bunch of indie filmmakers came to the grassland，everybody stayed in a tent, just open their mind and be sincere. They made conversations, which were about their confusion for life and be puzzle for artistic creation. Multifaceted sentiments were created. The goats were not vegetarian animal anymore，and the interlocutors were eating goats. An old man wanted to possess a young girl, the so-called artists were actually a tribe of infantile children. The goats were naked and waiting to be sparked…
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Six life stories of German, Austrian and Ashkenazi Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images of the biggest and most contradictory metropolis of the Far East an entity develops in which the historic exile takes and turns on a completely current power and appeal.
In Luxi, a county in southeastern Yunnan Province, someone’s corpse was burned. The parents of the murdered man don’t know the truth and have been waiting for their son to return home.
A lively community of Christians inhabit Fangshan, a remote rural town in Jiangsu Province. At the start of the millennium, a church was built there with support of local inhabitants' relatives from Taiwan.
This film documents the 11th Beijing Independent Film Festival in 2014, from the preparations before the opening ceremony to the process of its forced cancellation, the event which spurred the Cinema on the Edge series.
Legendary Peking Opera master, Yuling Fang, emigrates to New York where he works in a nail salon. Realizing there is no one to inherit his legendary skills, he decides to mount an amateur production in order to keep alive the vanishing world he loves.
Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement.
In rural China, the job of enforcing the Communist Party's one-child policy falls on government bureaucrats tasked with imposing fines, birth control, and forced sterilizations.
The Cold Winter was shot from the end of 2009 to early 2010, and focuses on the struggle of artists near Beijing’s famous Chaoyang District 798 Art Zone to protect their land and studios from demolition by developers.
In his third film on life and work in the (once) heavily wooded north of China, Yu Guangyi (Survival Song) follows the lonely San Liangzi (46), who for the past ten years has been in love with a woman who doesn’t like men much.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
