Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.
Watch the official Kites at the Kamogawa (for Jonas Mekas) 2020 trailer in HD below.
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Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.
This engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste #10 (March 1966).
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.
Tanjiro Kamado, joined with Inosuke Hashibira, a boy raised by boars who wears a boar's head, and Zenitsu Agatsuma, a scared boy who reveals his true power when he sleeps, boards the Infinity Train on a new mission with the Fire Hashira, Kyojuro Rengoku, to defeat a demon who has been tormenting the people and killing the demon slayers who oppose it!
After realizing she is the link to saving the inhabitants of earth, one woman and her allies take on a corrupt organization to save the planet and humanity.
In the wake of a devastating plague, that has killed most of the world's population, a man named Rory searches for other survivors, for answers, and for hope in a post-apocalyptic world, where nothing is quite as it seems.
Maddie, a reporter for a Norfolk newspaper, embarks on a Tiger Cruise during Christmastime where she meets a handsome naval officer and stumbles upon a mystery in the ship’s archive room.
A video blogger's desperate search for his girlfriend, only visible via his video camera as hostile entities stalk him from the darkness, tearing away his reality to reveal a horrifying truth: this is their domain, he's their test subject.
