Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.
Watch the official Kites at the Kamogawa (for Jonas Mekas) 2020 trailer in HD below.
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Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.
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This engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste #10 (March 1966).
Have you ever wondered what it would be like to put on a major fan convention, the likes of San Diego Comic Con or MegaCon? Well, look no further as director Steven Shea trains a surprising lens on all the backstage triumph and tragedy it takes to pull off South Florida’s gigantic Florida Supercon.
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes.
A teenage brother of school shooting victim strikes up an unlikely friendship with the shooter's grandmother when they both work together at the same supermarket.
After realizing she is the link to saving the inhabitants of earth, one woman and her allies take on a corrupt organization to save the planet and humanity.