A passage through landscape, surfaces, the desert and night. This experimental short film is a flowing dreamscape of textures, fragments, images and afterimages—a terrain of memory that is corporeal as well as optical. This diaristic personal film moves through the spaces of the filmmaker’s diasporic family history, where the desert is a collection zone for scattered pieces.
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An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work.
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To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family's dark past and a host of new and more horrifying terrors that lurk behind the red door.
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