Most Popular Carolee Schneemann Trailers
Total trailers found: 51
18 May 2015
She is the godmother of performance art. With her shocking public actions she created in the late 60s images that have burned into the general visual memory until today.
18 June 2012
Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images and essences of such downtown luminaries as Richard Foreman, Ken Jacobs, and Carolee Schneemann, Hills’s cinematic inventions literally turn the screen upside down and inside out.
23 March 2015
Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance.
19 December 1969
Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.
01 January 1957
In Loving (1957), a couple make love in the sun and their optic system flares -- it's really the nervous system's ecstasy -- in oranges and yellows and whites.
23 October 2020
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
05 January 2011
Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film.
01 January 1985
Home movies shot on Super 8mm by W+B Hein over 10 years.
06 February 1966
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
12 September 2010
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
15 December 2011
Unable to sleep, Jonas Mekas drifts through New York nights, moving between apartments, studios, galleries, bars, and clubs.
20 February 2018
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
01 January 1963
In her earliest film, which has been newly transferred to video, Schneemann presents an abstracted portrait of the American composer Carl Ruggles, known for his irascible personality and finely-crafted atonal music.
03 April 2004
Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name.
05 April 1995
A performance in which Schneemann personifies an irrepressible vulva, which engages two animal hand puppets in a clamorous deconstruction of sexual bias in French semiotics, Marxism, patriarchal religions and physical taboos.
15 June 1977
Video documentation of performance of the work hosted by De Appel, Amsterdam, in 1977 and filmed by Miguel-Ángel Cárdenas.
01 January 1967
Produced over several years between 1962 and 1967, Grimaces shows the faces of over a hundred artists, gallery owners and critics grimacing to the camera.
09 June 1976
Up To and Including Her Limits extends the principles of Jackson Pollock's action painting. Schneemann is suspended from a rope harness, naked and drawing; her moving body becomes a measure of concentration, the sustained and variable movements of her extended drawing hand creates a dense web of strokes and marking.
01 April 1983
Writes Schneemann: "Souvenir of Lebanon follows a long video pan through destroyed Palestinian and Lebanese villages.
01 January 2012
Pinea Silva: Lost Meanings of the Christmas Tree, a performance-lecture by Carolee Schneemann, was first presented on December 15, 2011 as part of the 40th Anniversary Benefit at Electronic Arts Intermix (EAI).
01 January 1991
Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from cards they have submitted.
08 April 1983
Vulvic puns, jokes and ruminations on the meanings of menstrual blood activate a range of taboos surrounding cultural notions of the feminine as a metaphoric battle ground of the body and of language itself.
03 August 1998
Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video.
01 January 1995
In a vast underground cave, Schneemann and seven nude women perform the ritualized actions of Interior Scroll reading the text as each woman slowly extracts a scroll from her vagina.
01 April 1993
In all Schneemann's montages, films and performances, there is an insistent repetition of disparate motifs — within each work and from work to work.
01 January 1979
This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation.
14 April 1969
A compilation of Schneemann's anti-Vietnam War group performances, this work merges film projection, sound and slide systems, light beams, audience and performer action in a sensory collage linking the exposed Illinois landscape to the devastation in Vietnam.
22 June 2018
Out of the tumult and fervour of the late 1960s emerged a generation of artists who set out to start a revolution.
12 April 1987
Art Is Reactionary is the 10-minute video recording of a performance by Carolee Schneemann dating from 1987.
08 April 2010
For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory participant.
01 January 1964
Performance by Robert Morris and Carolee Schneemann.
01 January 2007
Writes Schneemann: "The 'Americana I Ching Apple Pie' recipe was first enacted in my Belsize, London kitchen in 1972.
06 August 1997
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996.
29 May 1964
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap.
08 July 1971
The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a streaming montage of disruptive permutations: 8 mm is printed as 16 mm, moving images freeze, frames recur and dissolve until the film bursts into flames, consuming its own substance.
15 April 1988
Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning, grief and spirits of the dead.
31 December 1967
A silent film of collaged and painted sequences of lovemaking between Schneemann and her then partner, composer James Tenney; observed by the cat, Kitch.
01 January 1967
RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little film that I also found mystically by closing my eyes and putting my hands up in front of a whole wall of 16mm films and I just pulled it and it was this perfectly remarkable compendium of disasters, a little feature that they showed at contemporary movies, Movietone or something, and it was just one disaster after another.
01 January 1966
Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as an aerial event with ropes rigged across the canal at San Marco.
15 September 1970
An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as the women.
01 January 1959
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up.
01 January 1967
This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War.
21 January 1967
Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers.
04 February 2009
Infinity Kisses - The Movie completes Schneemann's exploration of human and feline sensual communication.
31 March 1989
A comprehensive documentation of new art movements from 1945 to the present day. Beginning with the "Internationale Situationniste," "Cobra," "Spur," and "Wiener Gruppe" groups in Europe, and moving on to the international Happening and Fluxus movements, including the Viennese Actionists, and from 1970 onward to international Body and Performance Art, which also encompassed media art—film and video—the documentary presents film and photographic material from these art movements.
06 June 1966
Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys.
29 March 1967
Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps, falls into and rolls through shreds of white printer's paper, creating a physicalized corporal collage.
01 January 1976
Schneemann’s cat, Kitch, who was featured in works such as Fuses, was a major figure in Schneemann’s work for almost twenty years.
01 January 1972
The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings of a happening by Hirsch that took place in three cities: in Buenos Aires, London, and New York.
01 January 1989
About the relationship between a man and a woman.
30 November 2012
The tradition of modernism and neo-avant-garde are faced in the project, in which Radziszewski is confronting both – Polish and Western – narratives of art history.
