Dai Arakawa Trailers
In the Realm of the Senses TrailerUnder the Blossoming Cherry Trees TrailerSilence Trailer
Most Popular Dai Arakawa Trailers
Total trailers found: 10
In the Realm of the Senses Trailer (1976)
15 September 1976
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
Under the Blossoming Cherry Trees Trailer (1975)
31 May 1975
A mountain man beheads his many wives to prove his love to an alluring woman he meets in an enchanted forest.
Miniature Trailer (1953)
01 April 1953
Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process.
Inn of Evil Trailer (1971)
11 September 1971
In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.
Silence Trailer (1971)
13 November 1971
Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and search for their mentor.
Kwaidan Trailer (1965)
06 January 1965
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales.
Captive's Island Trailer (1966)
02 July 1966
Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school.
Princess Yang Kwei-fei Trailer (1955)
03 May 1955
In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence.
The 47 Ronin Trailer (1941)
08 December 1941
In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace.
Double Suicide Trailer (1969)
24 May 1969
Successful and married with children, paper-mill owner Jihei knows better than to contradict the strict social and moral codes of 18th-century Japan.
