Going by the name of Djurjura, Djouhra Abouda started a musical career combining women’s voices with Kabyle cultural claims in the early 1970. She began working as a filmmaker with Algérie couleurs (1970-1972) and Cinécité (1973-1974), both kaleidoscopic collages co-directed with Alain Bonnamy within the experimental film lab of Vincennes University. (Nicolas Feodoroff- FID 2021)
Total trailers found: 7
28 December 1974
Claudine Eizykman with VITESSE WOMEN, presents a torrent, dazzling film that intersects several sequences according to various rhythms, sometimes close to the perceptive thresholds, allowing the deregulation of the senses desired by Rimbaud, opening the way to another mode of perception.
01 January 1974
In the Seventies, Djouhra Abouda developed a cinematographic project in the labs of the Université de Vincennes in Paris with the architect Alain Bonnamy.
03 December 1997
Set in the 1800s among the Berbers of North Africa, this 1997 Algerian feature concerns a noble widow who receives a customary purse of gold coins from the enemy tribe that murdered her husband; the gift puts her in conflict with her kinsmen, who want the money to buy back land taken by the enemy in cahoots with French colonials.
01 January 1975
Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it.
01 January 1972
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye.
