Ernst Schmidt Jr. Trailers
Memoirs of My Nervous Illness, Part 3 TrailerExit... But No Panic Trailer
Memoirs of My Nervous Illness, Part 3 TrailerExit... But No Panic Trailer
Total trailers found: 36
02 March 1979
At a party, which was organized for Wendy, each person invited brought a photo of themselves. Each photo was filmed according to a strict scheme: each 7 frames, 5 frames, 3 frames and 1 frame (1/24 of a second) long, and then intercut with the other photos.
01 January 1977
This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists.
04 September 1987
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag.
01 January 1993
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag.
01 January 1968
‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial.
06 April 1968
Expanded cinema with a real and a projected curtain. (This film is part of the 20 Action and Destruction Films.
01 January 1975
Filming and calling the result a diary is literary. It is filmic to write a film diary and have this writing scroll by as film.
12 June 1968
This is a film with minimal content. Using a film pen, a line was drawn across a strip of clear leader, until it hit the edge of the frame ("cheers"), and then the line was drawn back to the other side ("cheers"), etc.
01 January 1987
(for Ernst Schmidt jrs. trilogy Memories of a Nervous Illness, part 1 & part 2) 1987/88, 16mm (S 8 bw
20 June 1967
In May 1965, Ernst Schmidt Jr. films the Otto Muehl performances Rumpsti Pumsti and Body Building. In this period Muehl conceives his actionist works almost exclusively for photographic and film documentation.
05 July 1968
This film has two parts. In the first part, the film material is on 8mm uncut film, so that in the 16mm projection a 4-fold film can be seen.
01 January 1968
Conceptual overabundance was contrasted with nothing in Nothing, which, as the title promises, was nothing.
04 April 1968
In a blank film, holes were punched with a office hole-punch. During the projection, only the black scratches present in the material, which form over the course of time, can apparently be seen in the holes as well.
01 January 1985
A test film for the later realized "Memoirs of My Nervous Illness" which was shot on Super-8 and premiered at Wels in 1985.
07 March 1968
This film includes shots from Silberarsch (Silver Arse; the 16th material action by Otto Muehl, 1965), Bimmel-Bammel (Ding-Dong; MuehlŽ s 17th material action, 1965).
05 March 1971
ABCDEFGHIJKLMNOPQRSTUVWXYZ - each letter is one frame (1/24 of a second) long and each letter originates from a company sign.
01 January 1966
With P.R.A.T.E.R. Schmidt turned his attention to the place where, once, the medium first came into existence (the Prater is P.
03 June 1977
A person sticks it out for 24 hours in front of the camera. Every ten minutes a short clip was recorded, 8 frames per second (which is then projected at a speed of 24 f.
01 January 1988
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag.
01 January 1975
A film consisting of the titles of films that were shown in Viennese cinemas at the time of its creation.
01 January 1993
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag.
01 March 1967
The formal deconstruction of an Austrian tourist advertisement sign. The national colors red white and red have been removed, filmed separately.
16 October 1981
Baron Childerich III of Bartenbruch considers himself to be a descendant of the Merovingian dynasty and he has drawn up a chart of marriages and adoptions which show that he is his own father, grandfather, father-in-law, and son-in-law.
04 April 1970
A nostalgic honoring as well as a reciprocal re-make of the film of the same name by Willi Forst. A setting to film of a 1930s book, literally: page by page.
01 January 1980
A guy having sex with a woman on a rooftop – just to get her coffee-machine.
01 July 1966
Material actions: Otto Muehl. Montage of left-over film material from film scraps, amateur films, film leaders, recordings of material happenings, etc.
02 March 1979
A reconstruction of the "concept film," which Gertrude Stein ("a rose is a rose is a rose") suggested to Charlie Chaplin in the 1920s.
01 April 1977
Through the use of a time lapse effect (single frame shots), the changes in a face covered with a cream cheese mask for 30 minutes are condensed into one minute.
03 March 1978
Recorded during a presentation of the "Performance Art Festival" in the Modern Art Galerie, Vienna. The presentation was officially put to an end by the police because of the infernal sound made by the accompanying noise orchestra.
01 March 1974
All of the photos in Eine Subgeschichte des Films (A Sub-history of Film) by Scheugl/Schmidt (Suhrkamp edition 471) one after another, cut inside in the camera using the same scheme as in Gesammelt von Wendy (Collected by Wendy): each therefore 7, 5, 3, 1 frame(s) long.
01 January 1965
Steine (Stones) is a documentary film on a sculptorsŽ symposium in St. Margarethen, Burgenland. Behind this short description of content lies one of the most intelligently filmed and concepted documentary films in the history of Austrian film.
07 March 1968
This is a portrait of Peter Weibel, and at the same time a reflection on the medium film. As Peter Weibel looks silently into the camera (and thus to the audience) his own difficult text on the subject "Nimm eine Handvoll Zelluloid" ("Take a handful of celluloid;" published as Werkstatt Blatt 3, ed.
01 February 1977
This film is a combination of body art, re-making and reconstructing a "film genre" from the early era of filmmaking (series "Comic Faces", 1898, Director: G.
03 March 1967
In this film the goal of destroying film semantics has been consistently followed though. Part of the film is composed of a seemingly collision of picture and sound.