Eve Heller Trailers
The Female Offender Trailer
Eve Heller began studying filmmaking when she was 17, attending the S.U.N.Y. Department of Media Studies at Buffalo and New York University. She received her BA in German Literature and Interdisciplinary Studies from Hunter College in 1987 and an MFA in filmmaking from Bard College in 1993. Her award winning work has been widely shown, both in the U.S. and internationally, at such venues as the Whitney Museum of American Art, the Collective for Living Cinema, the New York Film Festival, Pacific Film Archives, Toronto’s Cinematheque Ontario, the Rotterdam International Film Festival, and the Austrian Filmmuseum in Vienna. Eve currently lives and works in Vienna.
Most Popular Eve Heller Trailers
Total trailers found: 13
17 July 1997
Passersby at Astor Place in New York City speak silent volumes as they move by the mirrored surface of a diner window.
01 January 2004
A crossing of paths behind the seen, a labor of love in the wake of one who was just here.
01 January 2005
A found footage film that taps into the poetic tradition of the language cut-up, while taking filmic advantage of the 26-frame displacement between sound and image inherent to the optical soundtrack system of 16mm film.
17 July 1996
A film gleaned via the optical printer from a home market movie made in the late 1930's about a chimpanzee's high adventures in an amusement park at Coney Island.
05 August 2013
A stunning avant-garde sci-fi assembled from ‘70s features and educational movies about time and space.
11 November 2021
"Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography.
17 July 2001
The world as seen in a teardrop of milk. I set out to make a film about how unwitting constellations of meaning rise to a surface of understanding at a pace outside of worldly time.
01 January 1978
The first film I ever made consists of the first roll of film I ever shot, entitled One. I made it for the first film class Keith Sanborn taught, in 1978 at the Department of Media Studies at the University of Buffalo, when he was a graduate student working with Hollis Frampton.
01 January 2010
"A slow motion blow-up to 35 mm foregrounds the kinetic serendipity of a handhold portrait shot in 1980 and entirely edited in-camera.
31 March 1995
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections.
03 September 2010
A film woven around the idea that between early cinema and avant-garde film exists a connection.
09 November 2016
Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A Roll For Peter.
01 January 2009
A fragile Super 8 self-portait rediscovered on 35mm, made by a struggeling nineteen year old discontented with the pseudo-Brakhagean spectacle presented by her fellow students at the end of the 1970´s.
