François De Menil

Most Popular François De Menil Trailers

Total trailers found: 10

Crush Proof Trailer (1972)

04 June 1972

A young man recalls his affair with a young French woman who traveled with him across the United States.

North Star: Mark di Suvero Trailer (1978)

07 April 1978

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose.

Stir Crazy Trailer (1980)

12 December 1980

New Yorkers Skip Donahue and Harry Monroe have no jobs and no prospects, so they decide to flee the city and find work elsewhere, landing jobs wearing woodpecker costumes to promote the opening of a bank.

Niki de Saint Phalle Trailer (1982)

01 January 1982

François de Menil and Monique Alexandre's short portrait of artist Niki de Saint Phalle, shot in 16mm, 1982.

Homeo Trailer (1967)

15 November 1967

Homeo is a mental construction made from visual reality, just as music is made from auditive reality.

HON Trailer (1966)

01 January 1966

Filmic portrait of Niki de Saint Phalle's HON, a temporary indoor sculpture installation for the Moderna Museet of Stockholm.

Max Ernst Hanging Trailer (2010)

13 November 2010

In this revealing documentary, patron, collector, and curator Dominique de Menil hangs the 1973 exhibition "Inside the Sight," in conversation with Max Ernst, the 20th-century Surrealist artist.

Tinguely: A Kinetic Cosmos Trailer (1971)

01 January 1971

Investigating Tinguely’s working methods, his art, and his inspiration, this film records the artist at work over a ten-year period and documents the design and construction of his monumental sculpture, Le Cyclop.

Nico: Evening of Light Trailer (1969)

01 December 1969

Shot as a proposed short film behind Iggy Pop's Ann Arbor, MI estate and summarily rejected by Elektra Records as promotional material for Nico's 1968 album, The Marble Index, Evening of Light is a gothic fantasy in a barren cornfield.

SCREEN TEST [ST212]: FRANÇOIS DE MENIL Trailer (1965)

17 June 1965

François de Menil has been lit at a three-quarter angle from the left; he glances briefly at the camera and then stares straight in front of him as if avoiding catching the camera’s eye; the right side of his face fades off into deep shadow.