Frédérique Devaux is a French-Berber experimental filmmaker. Since the early 1980s she has been one of the most internationally well-known representatives of Lettrist cinema. She has devoted several works to the Lettrist movement, the cinema and monographs. Together with Michel Amarger, she is the co-author of a series of film called ‘Expérimentaux’.
Total trailers found: 39
01 January 2003
K3 (Les Femmes) is dedicated to the Kabili women of North Africa. The artist superimposes images and sounds to highlight the difficulty these women face in proclaiming their identity.
20 December 1978
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011.
01 January 2008
K (Acugher/Acimi) (K Pourquoi? Pourquoi?) is the last film of the 'K' series. Each frame of film was placed individually in the printer; the film consists in fact of individual frames, developed one by one (rather than a conventional camera roll), and placed at random on the printing stock.
01 January 2000
Portrait of experimental filmmaker Martine Rousset.
31 December 1999
A film that would not burn and, above all, from which no print could be made at the time! 1995-1999/16mm/sound.
21 August 2002
Rose Lowder is an artisan of cinema. Her 16mm camera takes the place of a loom for the weaving of images.
18 November 2003
The fortuitous meeting of two women to the identical first name, Lucy, who formerly loved the same man, Jonathan, induced, in this film, of the polysemous variations on the memory, art, and the difficult relationship between creation and emotional life.
01 January 2007
In this part, I'm dealing with the relationship of the Kabyles with the dream of elsewhere. To reach that aim, I shot a lot in Kabilye, and also in other countries.
01 July 2003
K, for Kabylie, is a chronicle in several parts. Chronicle of a fragmented childhood between two countries, memory shredded by separation and abandonment.
01 January 1998
Song of signs with chorus and verses. Superfluity or scattering of the signs confronted by juxtaposition or incrustation, in 16 and Super-8, positive and negative, black and white or colors.
01 January 2008
Two-thirds of K (Exil) consists of images of the women and children who remain at home, alone, while the men leave for a life of exile.
01 January 1981
Imagogie (from words: image and demagogy) was made with 16mm and super8 inside 16mm.
10 December 2003
Marcel Hanoun, one of the most innovative of filmmakers, gives us what he names "a lesson in cinema." Frederique Devaux and Michel Amarger filmed this piece at his country house, composing an abundantly rich portrait.
01 January 2004
K (Désert) is the forth part of a series on Kabylia, including a documentary and a feature film. K (Désert) examines the fragmentation of a culture (Berber culture) through the Algerian desert populations by means of collage.
16 October 2020
When advertising, big brands and the commercial market bombard us… Escape? revolt? get involved? become outraged?
31 December 1999
After the bri(n)s and the threads of images, come these fragments, of various shapes, mostly circular, flared or full, with various inclusions, and threads leading back to a more abstract original rhythm.
01 January 1999
"Bri(n) d'images is composed in the form of a mosaic. Playing on the transparency effects of the film and the color inks used, it is more like a stained glass film.
26 February 2015
While filming a portrait of Dutch filmmaker Jaap Pieters, he evoked memories of a Lebanese friend who had disappeared, and his desire to trace his footsteps / to track him down.
01 January 2001
Portrait of experimental filmmaker Nicolas Rey.
18 November 2003
Les Deux Lucy is a short documentary portrait of the shooting of Raphaël Bassan's film Lucy en miroir.
01 January 1999
From one film to another, it's true that I often use the same images, to remind people, to create a universe, to show that my work basically constitutes a single work.
01 January 1980
On an idea by Maurice Lemaître. Polyatomic assembly.
01 January 1997
“Smashed up images, beginnings and ends of shots, interventions at different levels, reframings, various formats (8mm, Super 8, 16mm .
01 January 2002
K is a chronicle and an experimental biography. Each part of K is centered around a particular problem: childhood, demonstrations in Kabylia, women… At the breaking up of a family (K Il est une fois…) echo the scattered pieces of a Kabylia torn by struggle and demonstrations (K Les Luttes Amazigh), especially in the region of Tizi Ouzou, our family home.
01 February 2013
Christophe Karabache is an independent French-Lebanese filmmaker born in Beirut in 1979. In 2000, he began exploring various film formats at l'Etna, an alternative workshop in Paris.
01 January 1993
In 1993, the two main characters, Frédérique Devaux and Michel Amarger, nominate themselves for legislative elections in Paris.
01 January 1981
Great movement of body cinema in the 80s! My contribution to this movement! – F.D.
24 August 2012
Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961. In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op.
01 January 2000
Image-weaving work, as the film is originally composed of 35mm frames that were later converted to the 16mm format.
01 January 2001
Portrait, alternating interviews and extracted from Pip Chodorov's films who evokes its conception of the experimental movies, the links of some of his films with photography.
01 January 2001
Vivian Ostrovsky is a nomad film-maker, born in New York. Student in Brazil then in Paris, which takes its camera of continent in continent since 1980.
