Hans Cürlis Trailers
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Hans Cürlis filmed Kandinsky, Grosz, Pechstein, Dix, Kollwitz, Liebermann, and Calder at work, many years before Paul Hasaert’s Visite à Picasso. Cürlis had studed with Wölflin and had written his thesis on Dürer. In 1919 he established the Institut für Kulturforschung, "the first German scientific institution which consciously selected the cinema as a form of expression through the results of its own work" (Cürlis, 1929). That he is not considering simply a form of documentation is demonstrated by the fact that among his first collaborators can be listed animation and silhouette artists such as Bartosch, Carl Koch, Lotte Reiniger, and Toni Rabold. After a film on African sculpture and a number of geographical documentaries, in 1922 he began the series Schaffende Hände: short films not "on art" so much as the physical process of the creation of a work of art turned into cinema.
Most Popular Hans Cürlis Trailers
Total trailers found: 18
01 January 1946
One of the earliest post-war German productions to warn of the deadly dangers of typhus.
01 January 1922
Hans Cürlis films Lovis Corinth at work. "In the physical act of applying the colour spots, Corinth discovered something: drama, tempo; things were processes, in the technical sense also, which were brought together in the unity of expression" (Carl Einstein).
01 January 1924
In the best films of Hans Cürlis the acts of filming and painting coincide. The portrait of a portraitist.
23 June 1949
A film commissioned by the Documentary Film Unit of the OMGUS.
01 January 1923
Hans Cürlis films George Grosz at work.
01 January 1929
A study of the artist at work.
01 January 1929
Captures Alexander Calder at work on a wire model.
01 January 1929
“A film made to illustrate the changing scenery, architecture, garments and face of the Danube Bank.
01 January 1922
Lotte Reiniger's interpretation of Grimm's recorded version of Aschenputtel (Cinderella) from 1922.
09 May 1952
A German Film Award Silver Bowl winning short documentary.
12 December 1919
The first film directed by influential German-born silhouette animator Lotte Reiniger is delightfully reminiscent of a Valentine’s Day card come to life.
01 January 1926
Hans Cürlis films Kandinsky at work.
24 January 1926
Using trick cards, animations, graphics, and numerous statistics, the film attempts to prove that the economy of a major industrial nation like Germany is existentially dependent on raw materials from the colonies.
01 January 1929
In 1929, the German Book Traders’ Association declared 22 March, the anniversary of Goethe’s death, the “Day of the Book”.
18 October 1946
A guide to vegetable self-sufficiency in postwar Germany.
07 June 1951
Winner of Best Arts and Science Film at the 1st Berlin Film Festival