Bouchra TrailerPlot Front TrailerP.opular S.ky (section-ish) Trailer
Leilah Weinraub (born 1979) is an American filmmaker, conceptual artist, and the former CEO of the fashion brand Hood By Air. In 2018 she was named a Sundance Institute Art of Nonfiction Fellow.
Total trailers found: 10
23 February 2012
Rooted in the tropical underground of Los Angeles nightlife, Wildness is a portrait of the Silver Platter, a historic bar that has been home to Latin/LGBT immigrant communities since 1963.
08 July 2006
An amnesia stricken Beverly Hills housewife wanders into an underground lesbian punk club and discovers a new way of life.
19 April 2009
Trecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other.
30 July 2009
The video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc.
03 June 2026
Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project.
13 January 2010
In P.opular S.ky (section ish), a character played by Trecartin informs us that she wants ‘to live in a world where narration is the devil’.
01 August 2025
Low-key, anxiety-managing millennial Monroe Malone is trying to outrun last year’s job loss when she collides with a weave-snatching cartel led by Big Baby.
17 February 2018
‘Shakedown’ was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city’s lesbian underground scene.
08 September 2007
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre.
25 August 2019
A delirious movie installed inside a ghostly barn made with prefabricated materials. The oscillatory movement of the rocking chairs on which visitors sit partly helps to alleviate the syncopated rhythm of the montage and the frenzy of images that follow.
