Liam Gillick Trailers
New Order: Decades TrailerWhatever Happened to Gelitin TrailerExhibition Trailer
New Order: Decades TrailerWhatever Happened to Gelitin TrailerExhibition Trailer
Total trailers found: 9
10 March 2016
Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations.
09 August 2013
An intimate examination of a contemporary artist couple, whose living and working patterns are threatened by the imminent sale of their home.
06 July 2011
"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster, Elizabeth Peyton, Tobias Rehberger, Carsten Hoeller, Liam Gillick, Jorge Pardo, Andrea Zittel, Maurizio Cattelan).
17 June 2009
“Beijing”, an 86-minute 35mm film, focuses on one of the most intricate and ambiguous international broadcasted events of past years – the 2008 Olympic Games in Beijing.
25 March 2022
A social experiment-turned-baroque musical in a Vienna exhibition space, where the boundaries between body and world dissolve in a delirious and darkly funny mirror image of civilisation itself.
22 September 2018
Part concert, part documentary, this film follows the band’s preparations in the re-staging of their acclaimed collaboration So It Goes.
01 January 1999
Taking its title from an all-day/all-night convenience store, “AM/PM” examines the famous Las Vegas Strip, portraying the disorienting world of corporate hotels and casinos which utilise and redefine the spectacle in relation to architecture.
01 January 2000
Sarah Morris made the film “Capital” in Washington during the final days of the Clinton administration.
12 November 2001
In this chapter of the No Ghost Just a Shell saga, Liam Gillick constructs a quiet but uncanny public installation—a space of benches, tables, and shelves—where the 3‑D animated Annlee speaks.