Luís Noronha da Costa Trailers
O Construtor de Anjos TrailerPadres TrailerKarl Martin Trailer
Luís Noronha da Costa was a Portuguese Postwar & Contemporary painter who was born in 1942.
O Construtor de Anjos TrailerPadres TrailerKarl Martin Trailer
Luís Noronha da Costa was a Portuguese Postwar & Contemporary painter who was born in 1942.
Total trailers found: 12
01 January 1973
A series of brief, evocative scenes capturing the life of a painter—his moments of inspiration, frustration, solitude, and fleeting triumphs.
01 January 1972
Elusive portrait of a girl moving through a space that is both hers and not hers, where every gesture seems to be in search of something undefined.
01 January 1972
Evocation of the filmmaker, defined by João Bérnard da Costa as "a film about Murnau's ghost on the canvas, prolonging to paroxysm the game of doubles and the game of spectres".
01 January 1978
Gothic film in a monastery, where sensual monks murder the children they receive, with images of fantastic, painted from the author own painting and also from the Hammer films and the Saxon plastic tradition of romanticism.
01 January 1973
The characters touch and separate, dance and stand still, fall asleep and wake up, animated by a game of reflections that lasts longer than ever.
01 January 1972
The statues—solid, unmoving—become vessels of time, capturing the quiet tension between permanence and decay.
01 January 1974
An “artist film” that crosses Karl Martin, Martin Heidegger and the Communist Party’s Manifesto.
01 January 1975
Padres begins with a fabulous shot. Instead of two parents, we see two cats, one black and one white.
01 January 1972
The large translucent screen that dominates the film clearly shows Manuela de Freitas' body holding a candle, or rather a shadow (reflection) of that body and the dominant figure in the film, a variation of reflection, blurring, and shadow.
01 January 1974
This is one of Noronha da Costa's films in which the "fictional" component is most visible. D. Jaime or the Portuguese Night, like the rest of Noronha da Costa's films, is part of the gothic films (Terence Fisher's work was one of his great influences), and in it he shows the different variations around the "specular bodies", which evolve into luminous magic and into sensual and sensory incandescence.
01 January 1972
Layers of architecture fold into one another, shifting perspectives where walls breathe and structures seem to disintegrate into light.
01 January 1972
The boundaries between memory, dream, and reality blur, leaving only the sensation of something once known, now slipping away.