María Ruido Trailers
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Total trailers found: 11
01 January 1997
The artist sits in a chair in front of a table and, looking at the camera, cuts tape to turn on a radio in which a pre-recorded speech sounds with which she tries to coincide in a simultaneous reading of it from a text she carries on paper.
20 October 2017
Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers?
18 April 2002
Through the narration of my family's history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus and a dialogue, and the elabo ration from personal experience against the idea of an official history and memory, restricted to the institutional and articulated around the aesthetici-sation and the deactivation of the political subjects.
15 April 2015
The visual essay presented here, which has been produced in Morocco, offer a interdisciplinary reflection on the role that the system of visuality acquires within colonial and neo-colonial proces ses, which are understood to mean not only forms of political and economic exploitation but also a ceaseless abyssal thinking that dorninates the global system.
18 March 2008
Plan Rosebud 2 focuses on the Spanish Transition, the period that took place after the end of Franco's rule, placing it in its cultural context, as well as on the final years of the Labour Party's rule in Great Britain during the seventies and the rise of the conservative leader Margaret Thatcher.
01 November 2008
Plan Rosebud 1 is focused on the recent social debate around "The Historical Memory Act" in Spain, and the current relations between the sites of memory and the politics of memory that are produced through cultural industries.
19 August 2010
It is a documentary about the memory of the transition to democracy in Spain built from certain pro ductions of militant cinema that contradict the official images that have formed our memory of the last years of Francoism and of the first years of democracy.
22 September 2014
In a dense interrelation between intimate diary, cinema essay and anthropologic film, this film connects past and present, European policies for the management of migration flows to the history of the last colonialism campaign in Northern Africa, setting its point of view with an urgency that is opposed to any emergency rhetoric.