Mark-Toomas Soosaar Trailers
Bridges of Time Trailer
Mark Soosaar (officially Mark-Toomas Soosaar; born January, 12 1946 in Viljandi) is an Estonian film director, cinematographer, screenwriter and politician. He has been member of X and XI Riigikogu.
Soosaar graduated from the All-Union State Institute of Cinematography in 1970. He worked for Eesti Televisioon from 1970 until 1978 and Tallinnfilm from 1978 until in 1991 as a director and cinematographer before moving to Pärnu and founding his own film studio, Weiko Saawa Film. He is the director of Museum of New Art, as well the founder chairman of the Kihnu Cultural Institute .
He is a member of Estonian Social Democratic Party.
Most Popular Mark-Toomas Soosaar Trailers
Total trailers found: 24
23 January 1981
The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment.
24 February 2002
Kääriku Farm in Viljandi County is home to one of the cornerstones of Estonian textile art. Together with her elderly mother Valda Rau, the esteemed textile artist and lecturer Anu Raud reflects on life and death.
31 March 2006
Documentary film about Nordic volunteers fighting the Estonian War of Independence
01 February 1965
Documentary about seal hunters off the coast of Estonia.
18 December 1981
Filmmaker Mark Soosaar talks to a remarkable gentleman Leonhard Vene (1902 - 1994), a self-educated antiquity collector thirsty for knowledge.
25 April 1988
Estonia's suicide rate is one of the highest in the world. The author tries to trace the social causes of the tragic cases in the footsteps of one schoolboy's suicide.
20 March 1978
Mark Soosaar's documentary essay on Eduard Wiiralt - a satanic clairvoyant and angelic artist, as he was described in Le Courrier Graphique magazine in 1937 by critic Pierre Mornand.
01 January 1972
Boris Lehtlaan performs popular tunes of the time at an open-air concert.
01 July 2018
At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them.
25 December 1992
It is September 17, 1991. Somewhere over Greenland, on a Finnair plane, Foreign Minister Lennart Meri is writing a speech for Arnold Rüütel, which the latter will deliver from the podium of the UN General Assembly in New York two days later.
28 April 1986
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak.
03 October 1986
In 1986, twelve years after his film Kihnu Naine (The women of Kishnou), Mark Soosaar made this complementary documentary at the centre of which are the male inhabitants of the island.
06 April 1987
The elderly couple Johann-Voldemar and Ida have found a safe haven in their home in the village of Saulepi in Pärnu County, despite the winds blowing from the sea and the creeping fog.
01 January 1972
A parody of several popular movies such as A Man and Woman (1966) and The Last Relic (1969).
20 October 1986
Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.
20 March 1997
Father, Son and Holy Torum, by Estonian director Mark Soosaar, recounts a particularly ghastly episode in the history of the "new Russia.
17 November 1972
Documentary presents the archievements of the Soviet Estonia in various fields of economy and science, education and culture.
08 March 1974
Kihnu is a small island in the Gulf of Riga. Soosaar looks at the islanders from the point of view of an explorer, just like his filmmaking hero Robert Flaherty once did.
20 June 1983
Filmic study of time by Estonian director Mark Soosaar.
01 January 1980
A film about the wildlife preserve Vilsandi that used to be the oldest in the former Soviet Union.
25 October 1978
The story of two artists - Aino Bach and Kaarel Liimand, creative and life partners. The film began with material captured for "Maised ihad".
03 February 1973
The shortage or excess of water is one of the farmer’s main concerns, and solving this problem is the task undertaken by Vello Ott.
