Rea Tajiri Trailers
Rea Tajiri is a Japanese American video artist, filmmaker and screenwriter, known for her personal essay film History and Memory: For Akiko and Takashige.
Most Popular Rea Tajiri Trailers
Total trailers found: 8
History and Memory: For Akiko and Takashige Trailer (1991)
10 April 1991
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor.
Lordville Trailer (2014)
15 March 2014
LORDVILLE extends director Rea Tajiri's on-going examination of ideas of history, place and race, and continues and propels larger conversations within the documentary field.
Off Limits Trailer (1988)
01 January 1988
Off Limits presents an analysis of representations of the Vietnam War, the 1960s, and the Vietnamese characters that have been portrayed in the recent series of films about this subject.
Little Murders/Obits Trailer (1998)
01 January 1998
A darkly comic musical about the mystery of death, communication of spirits, and the redemption that comes from knowing the truth.
Strawberry Fields Trailer (1997)
09 March 1997
After a visit from the ghost of her sister, a rebellious 16 year old Japanese American girl hits the road with her boyfriend in search of a better life.
Wisdom Gone Wild Trailer (2022)
06 August 2022
Ever since the onset of her dementia, reality, dream and nightmare have become intertwined for Rose, making her something like a maverick time traveler.
Yuri Kochiyama: Passion for Justice Trailer (1993)
15 October 1993
Yuri Kochiyama was a Japanese American woman who lived in Harlem for more than 40 years and had a long history of activism on a wide range of issues.
Now I’m Turning to Face You Trailer (1982)
01 January 1982
The filmmaker and visual artist Rea Tajiri combines classic cinematic moments with her own overlaid text, establishing a sly tension between the magicians of cinema, who craft powerful illusions, and the anonymous audience member, who imposes their own interpretations and machinations upon the work.
