Richard Serra Trailers
On The Wings of Brancusi TrailerHow Much Does Your Building Weigh, Mr Foster? TrailerRichard Serra: Man of Steel Trailer
Richard Serra (November 2, 1938 – March 26, 2024) was an American artist known for his large-scale abstract sculptures made for site-specific landscape, urban, and architectural settings, whose work has been primarily associated with Postminimalism. Described as "one of his era's greatest sculptors", Serra became notable for emphasizing the material qualities of his works and exploration of the relationship between the viewer, the work, and the site.
Serra pursued English literature at the University of California, Berkeley, before shifting to visual art. He graduated with a B.A. in English Literature from the University of California, Santa Barbara, in 1961, where he met influential muralists Rico Lebrun and Howard Warshaw. Supporting himself by working in steel mills, Serra's early exposure to industrial materials influenced his artistic trajectory. He continued his education at Yale University, earning a B.A. in Art History and an M.F.A. in 1964. While in Paris on a Yale fellowship in 1964, he befriended composer Philip Glass and explored Constantin Brâncuși's studio, both of which had a strong influence on his work. His time in Europe also catalyzed his subsequent shift from painting to sculpture.
From the mid-1960s onward, particularly after his move to New York City in 1966, Serra worked to radicalize and extend the definition of sculpture beginning with his early experiments with rubber, neon, and lead, to his large-scale steel works. His early works in New York, such as To Lift from 1967 and Thirty-Five Feet of Lead Rolled Up from 1968, reflected his fascination with industrial materials and the physical properties of his chosen mediums. His large-scale works, both in urban and natural landscapes, have reshaped public interactions with art and, at times, were also a source of controversy, such as that caused by his Tilted Arc in Manhattan in 1981. Serra was married to artist Nancy Graves between 1965 and 1970, and Clara Weyergraf between 1981 and his death in 2024.
From 1968 to 1979 Serra made a collection of films and videos. Although he began working with sculpture and film at the same time, Serra recognized the different material capacities of each and did not extend sculptural problems into his films and videos. Serra collaborated with several artists including Joan Jonas, Nancy Holt, and Robert Fiore, on his films and videos. His first films, 'Hand Catching Lead' (1968), 'Hands Scraping' (1968) and 'Hand Tied' (1968) involve a series of actions: a hand tries to catch falling lead; pairs of hands move lead shavings; and bound hands untie themselves.
Most Popular Richard Serra Trailers
Total trailers found: 29
01 January 1985
Home movies shot on Super 8mm by W+B Hein over 10 years.
01 January 1968
In "Hands Scraping" we see two male pairs of hands, those of Serra and Phil Glass, sweeping up steel filings strewn on the wooden floor with their bare hands, and carrying the gathered heap in their hands out of the picture.
25 November 2008
Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work. A creator of enormous, immediately identifiable steel sculptures that both terrify and mesmerise, Serra believes that each viewer creates the sculpture for themselves by being within it.
31 December 1978
The Masters of Modern Sculpture series concludes with a look at post- World War II America, where sculpture became a deeply innovative art form.
12 May 1976
“…Railroad Turnbridge is about the meeting of machine and machine [camera and bridge] and how they and their movements, sometimes parallel, sometimes in opposition, frame the landscape which surrounds them.
31 December 1974
A two-part tape of a video performance done on January 22, 1974, at 112 Greene Street (as part of the Video Performance Exhibition), structured on a problem in game theory, a non-zero-sum game, in which both players can win or lose at the same time, one can win more than the other, and one can win at the others expense.
01 January 1968
Echoing the vertical movement of the film through the projector, pieces of sheet lead fall into the image field.
31 December 1968
Footage of an arm and a hand holding a block of lead
31 December 1974
Artists Nancy Holt and Charlemagne Palestine attempt to have a conversation with one another while their voices are distorted.
31 December 1968
A subject struggles to break free from a cord restraint
01 January 2007
"Film Portrait of Richard Serra was shot during the making of The Camera: Je but I felt that the footage showed such complicity between Richard and me that I decided it was a film on its own.
01 January 1969
In Frame (1969), Richard Serra emphasizes the disconnect bewteen the real space of the cinema and the illusory space of the screen.
31 December 1972
Made in collaboration with Gerry Schum
01 January 1971
Like the three "Hands" films by Richard Serra (1968), the subject of "Color Aid" are fingers as actors of real time activity.
30 March 1973
Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the corporations that mantain and profit from the status quo.
31 December 1971
Made in collaboration with Joan Jonas.
01 December 2013
The Making of Amarillo Ramp documents the construction of Robert Smithson's earthwork Amarillo Ramp.
08 October 2010
The film traces the rise of one of the world's premier architects, Norman Foster, and his unending quest to improve the quality of life through design.
15 May 2002
CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence.
31 December 1971
The film is an adaptation from two sources: Kinesics and Context by Ray L. Birdwhistell, and Choreoms
31 December 1979
Serra’s film about the production of his sculpture Berlin Block (for Charlie Chaplin) (1977) at the Henrichshütte Hattingen steelworks in the Ruhr Valley, begun roughly one year before the first major wave of strikes in the German steel industry since the war, combines conventions from documentary film, agitprop, black-and-white photographic studies and architectural film.
31 December 1969
A short film by Richard Serra
31 December 1971
Soundtrack by Philip Glass
06 May 2007
Charlie Rose joins sculptor Richard Serra at the Museum of Modern Art for a walk-through of a retrospective of the past four decades of Serra's work.
01 July 1974
Originally broadcast on public television in Amarillo, TX, Richard Serra’s BOOMERANG features Nancy Holt framed in a medium shot with a pair of headphones on her ears.
31 December 2018
Constantin Brancusi (1876-1957), the most important sculptor of the first half of the 20th century, has been a fascinating and enduring influence on a generation of contemporary American artists.
11 August 1975
The protagonists’ astounding verbal gymnastics and often incomprehensible interactions tend to descend into nonsense, and with the syncopated rhythm of its action and dialogue, this film is reminiscent of the playful and parodying elements of the Beat fantasy Pull My Daisy.
16 June 2007
The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic.
31 December 1973
A pair of one person's hands toss a block of lead back and forth.