SJ. Ramir Trailers
I Found Water TrailerWe Are Without TrailerIn This Valley of Respite, My Last Breath... Trailer
SJ.Ramir is an artist/filmmaker residing in Melbourne, Australia. His films often contain scenes of lone figures moving across remote and isolated landscapes, and are concerned with existence and its relationship to, and occupation of physical/geographical space. The landscapes and structures in his films are a mix of actual locations and constructed 3D models.
The prominent style of his films came from early years of experimentation with custom-made lens filters. These filters enhanced video pixels and produced hazy, distorted images, which Ramir felt were visually suggestive of emotional states connected with a central theme in his work: isolation.
"On a visual/conceptual level, I’m constructing, then examining an inner world or mental state that somehow traps us and defines us – it’s also a response to the deprivation of knowledge; deprivation of answers to questions we have about life, self-identity, existence and lastly, a response to self-delusion. Do we view anything in this world through a clear lens? I doubt it. I place a self-made filter over the lens of my camera, which then distorts its view. In essence, each of us do this to ourselves everyday – consciously or subconsciously. I think that the images in my films are very aligned to a human perspective on the world.' - SJ.Ramir
Ramir’s distinctive films have screened at many prestigious film festivals and art galleries worldwide, including: The 67th Venice International Film Festival, International Film Festival Rotterdam, Oberhausen International Short Film Festival, Melbourne International Film Festival, the Australian Centre for Photography and the Tokyo Metropolitan Museum of Photography.
Most Popular SJ. Ramir Trailers
Total trailers found: 17
01 January 2007
Taupiri is an exercise in light and pixel manipulation. Using a photographic still of a constructed model cabbage tree and diorama, a custom-made filter was placed in front of a video camera lens and maneuvered to bend and shape the light entering into the camera.
04 May 2014
Remote is a dialogue-free film that follows the journey of a woman as she travels across a stark and barren landscape of giant, desert-like coastal sand dunes.
30 July 2013
Drawing on iconic religious imagery, Closer explores the interdependence of human fragility and faith - displaying redemption and transformation in a universal context.
31 October 2020
Our hands cannot resurrect. Set amongst the shadows of a grainy, dystopian landscape, We Are Without is a visual response to life, death and self-delusion.
01 January 2006
A lone, shapeless figure sets out on a journey. The mysterious spectre travels through a series of distorted, impressionistic landscapes to an unspecified destination.
27 October 2023
I Found Water is an autobiographical experimental film that employs textured images drowned in darkness, to examine deteriorating memories and the mysterious logic of their preservation.
05 August 2013
Artist/filmmaker SJ Ramir takes viewers on a journey into a metaphysical world of disquietude.
24 October 2017
In a valley starved of light. Weariness. Fatigue. An offering of shelter; a surrender of breath...
09 January 2016
Post existence: My Song Is Sung examines physical space no longer occupied.
01 January 2006
In GULF TRANSMISSION, video artist SJ Ramir explores the concept of isolation via a journey through both emotional and geographical landscapes.
01 January 2014
On the morning of my death – just after sunrise, and before my spirit had departed, a mysterious figure entered the house.
01 January 2008
Distorted visions of anonymous figures traveling across empty landscapes are used as a metaphor for metaphysical journey's made across landscapes of the mind.
25 October 2014
“To understand life is to know that much of it is lived in the dark - there is very little daylight in our understanding or comprehension.
31 May 2011
Disquiet uses the movement of an anonymous figure through remote environments, to examine metaphysical journeys that are made through landscapes within the mind.
12 April 2008
An anonymous figure sets out on a journey - moving through a harsh and sunburnt terrain, towards an unknown destination.
01 January 2009
Into Daylight uses geographical landscapes as metaphors, to explore the notion of metaphysical journeys made across landscapes within in the mind.
01 September 2010
In Cold Clay, Emptiness... an anonymous figure moves in slow motion through an empty and remote rural environment.