Yoshihiko Matsui Trailers
Midori TrailerAn Ode to the Earthworm Trailer
Yoshihiko Matsui (松井良彦 Matsui Yoshihiko, born May 6, 1956) is a Japanese filmmaker
Most Popular Yoshihiko Matsui Trailers
Total trailers found: 10
Midori Trailer (1992)
02 May 1992
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Crazy Thunder Road Trailer (1980)
24 May 1980
When Ken, the leader of the once-notorious biker gang of Tokyo, falls in love with a barmaid, he quickly loses his rebellious ideals.
Where Are We Going? Trailer (2008)
01 March 2008
Akira Tachibana who work at Kinoshita foundry can not love other people because of the trauma he suffered by being molested by his manager Kinoshita, who have both been like a father to Akira since he was little.
The Noisy Requiem Trailer (1988)
28 May 1988
In the slums of Osaka, various marginalized misfits have their own interpretations of love. Completely alienated from the outside world, they commit sexual perversions, violence and cannibalism.
Pig-Chicken Suicide Trailer (1981)
30 October 1981
Pig Chicken Suicide is a veritable assault on the senses, mixing violent images of animal slaughter, racial strife and surrealism to tell the story of two Koreans living in Japan who's love is destroyed due to overwhelming racial discrimination.
There Was Such a Thing Before Trailer (2025)
13 September 2025
Time stands still in the silent streets of Fukushima. Radioactive residues continue to taint the lives of the citizens with a slow, invisible anxiety, trapping them between past wounds and future uncertainties.
An Ode to the Earthworm Trailer (1982)
01 January 1982
After appearing in independent films by Matsui Yoshihiko and Ishii Sogo, Sano directed this independent film himself.
Rusty Empty Can Trailer (1979)
21 April 1979
Matsui's debut film, "Rusty Empty Can" (1979), was photographed by Sogo Ishii; nonetheless the film turned out to be a serious and emotionally painful one unlike Ishii's speedy roller-coaster movies.
