Here we have an old scholar/alchemist brooding over a book, challenged by the devil, and going through the familiar sorcery to create a woman by throwing pieces of clothing against a stain-glass church window, like a jigsaw puzzle (and later in reverse). The woman also multiplies herself five-fold so as to match a similar paravent.
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The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920).
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.
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The Diabolical Church Window (1911)
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Popular movie trailers from 1911
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A farmer takes in a young orphan after her mother's death and sends her off to school. After she's grown, he encourages her to consider his younger brother as a husband.
On a holiday, the family Gram meets a young, mysterious man who turns out to be a Mormon. In spite of her fiancèe's presence, the daughter Nina is drawn to the stranger.
Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.
From a window in Fabiola's house, Sebastian watches the Christians being taken to their cells, and as he listens to the shrieks and curses of the multitude his heart is stirred with pity.
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