Danish documentary following different locations and situations in Greenland anno 1914. It comes around settlements, hunters, steamboats, umiaks, a kayak race, and a football match. Photographed by W. Thalbitzer.
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On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches.
Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light.
Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition.
In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below.
The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade.
The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume.
To err is human, but in the end, goodness of heart will prevail and the one who has committed an offense against man-made laws may come out of the mire and develop into a law abiding and god-fearing citizen.
Captain Lanning and Lieutenant Osborne are stationed at an army post in the Philippines. Lanning conceives a deadly hatred toward Osborne when the latter wins Gladys, General Fields' daughter.
In search of a maid, Mrs. Cook, an aristocratic and extremely proud society woman, goes to an employment agency and hires Luna, fat, awkward and straight from Sweden.
This 1914 drama set in the WWI-era relates a heroic act carried out by a war nurse for the Red Cross (Dora Tschitorina) who has witnessed the death of her husband (Ivan Mosjoukine).
Kate Clarke and her brother, Joe, are alone in the world. Kate learns of her brother's connection with a counterfeiter's gang only when the police invade their rooms to arrest Joe.
Molly Boone's father has been sent to prison for twenty years for alleged complicity in the killing of a revenue officer, Uriah Hudson, whom she secretly suspects of having a hand in sending her father to prison, is her persistent suitor.
Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent.
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