"The Oil Industry's Dramatic Effect on Life in Arabian Society"19 June 1968Factual53 mins
A documentary that covers issues such as petroleum discovery, distribution of wealth, and new venture planning in Saudi Arabia and United Arab Emirates.
Kind Of Blue: Celebrating A Masterpiece incorporates material from the 2004 mini-documentary, Made In Heaven, including black-and-white still photography of the recording sessions and the voices of Miles (at the sessions), as well as excerpts of radio interviews with the late Bill Evans.
Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
Driven by passion fed from a life-long fascination with sharks, Rob Stewart debunks historical stereotypes and media depictions of sharks as bloodthirsty, man-eating monsters and reveals the reality of sharks as pillars in the evolution of the seas.
In this hilarious arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world.
Series "Polyvinyl 33 1/3", was created three years ago, aims to bring together all their broadcasting those whose hobby of collecting plates showed different approaches and attitudes toward, compared to today, when there is a huge variety of sound .
A group of young Arabs and Israelis join together for road trip across the desert. In the wake of recent Peace Agreements between their countries, they’re on a journey to find Abraham, offering an honest, open, challenging, unconventional insight into a peace process that, rooted in Religious conflict, is as much about profits as prophets.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.