23 November 1968 Drama, Crime 86 mins
Suspense drama about an assassin charged with breaking up a gold smuggling ring, and the contract subsequently purchased against him and his employer.
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Hideichi Nagahara Screenplay
Riichirō Manabe Original Music Composer
Kiyoshi Hasegawa Director of Photography
Kiyohisa Hirano Lighting Technician
Kanae Masuo Sound Recordist
Tomohiro Kaiyama Producer
Hiromichi Horikawa Director
Yoshitami Kuroiwa Editor
Shinobu Muraki Art Direction
Sogeki Trailer
Japan 23 November 1968
These some of the most viewed trailers for movies released in 1968:
07 June 1968
The film follows the exploits of a small gang of jewel thieves who employ a little person as their ultimate tool.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
01 January 1968
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
13 September 1968
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
01 January 1968
Peter Drucker teaches you how to be an effective executive.
05 September 1968
A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.
02 April 1968
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
21 December 1968
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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Artwork, screen shots, trailers and other imagery is © 1968 TOHO.
