The year is 1940 and Nazi Germany is at the height of its military prowess, having captured most of Europe and eyeing the Soviet Union to the East. The Russian military command suspects hostile intent from Germany and so arranges for its spies to infiltrate ranks of the German military and the SS. Alexander Belov is a Russian spy, who travels from Soviet-held Latvia to Nazi Germany under an alias of Johann Weiss. His mastery of the German language, steel nerves and an ability to manipulate others help him to use his connections in the SS to ascend the ladder of the German intelligence. He uses his position to identify sympathetic Germans, who help him to procure vital intelligence, and to help local resistance movements in their collective fight against Nazism.
As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator.
Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
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Have you watched The Shield and the Sword yet? What did you think about it?
