08 October 1968 Action 82 mins
A 72-hour story about a group of rookie police officers and detectives who are candidates for the Mexican Olympic team and are in training camp for shooting competition, as they hunt down a violent criminal.
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Tetsutaro Murano Director
Ryūzō Kikushima Writer
Akira Uehara Director of Photography
Shigeo Mano Art Direction
Takeo Yamashita Music
Kimio Tobita Sound Recordist
Tatsuji Nakashizu Editor
Yami wo saku ippatsu Trailer
Japan 08 October 1968
These some of the most viewed trailers for movies released in 1968:
01 March 1968
Documentary film produced by American Documentary Films and the Black Panther Party from 1968, honoring Huey P.
20 August 1968
A picture of the development of the city of Glasgow, Scotland, as seen through the photography of Scots-Italian photographer Oscar Marzaroli.
10 November 1968
Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints.
12 June 1968
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
13 March 1968
Adaptation of a short story by Michał Lermontow. Forces stationed in the Caucasus. Lieutenant Wulicz is a fatalist.
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
03 December 1968
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family.
01 January 1968
Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Have you watched Trigger-Happy yet? What did you think about it?
Artwork, screen shots, trailers and other imagery is © 1968 Daiei Film.
