Fred Hampton talks eloquently and passionately about the Free Breakfast for Children Program and Free Health Clinic set up by the Black Panthers to feed and tend to the poor and hungry. In response to a specific question about events in Chicago and the conspiracy trial, he talks about how those running the city are "crazy with power," about racism, fascism and imperialism, and the need to educate, organise and lead by example.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
A portrayal of two modern young men and their experiences of love. Jack, a sociology student, is in a relationship with Betty, who is somewhat older than him.
Dr. Roth, a respected veterinarian and head of a state-owned stud farm, had accepted papers from a man for safekeeping when he was 16 years old, toward the end of the war.
The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see.
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Have you watched Fred Hampton: Black Panthers in Chicago yet? What did you think about it?
