This feature documentary is a factual account of the life of policemen at one station in Montreal, drawn from 60 days and nights of on-the-spot filming in the early 1970s. It is a view of life in the inner city that usually only the policeman has reason to encounter. There are ugly incidents here, but there is also reassurance that people in trouble do have help at hand.
While doing a friend a favor and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery.
In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.
A web of connected stories on crime, sex, and love in Taiwan, including a 17 y.o. boy with a porn obsession, three hoodlums, and a self-righteous police officer.
Ernie & Joe follows two officers with the San Antonio Police Department mental health unit who are diverting people away from jail and into mental health treatment — one 911 call at a time.
The innkeeper Barnabáš and the teacher Isidor Slovíčko succumb to the lure of old Moreles, to whom the young Taussig sends enthusiastic letters from America.
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz.
Cartoon adaptation of the classic of world literature by Alexandre Dumas, which tells the dramatic odyssey of Edmond Dantes since he's unjustly accused and sentenced for life.
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
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