Three poor girls from the provinces of the Philippines are lured to the big city. In Manila they are tricked to work in the sex trade.
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Sarsi Emmanuelle as Joy
Emily Loren as Pinang
Jaclyn Jose as Linet
Patrick Dela Rosa as Rodel
Ricky Davao as Allan
Tita De Villa as Mrs. Antiporda
Renato Del Prado as Estong
Jimmy Santos as Bigote
William Yusi Music
Conrado Baltazar Director of Photography
George Jarlego Editor
Joey Luna Production Design
Rudy Baldovino Sound Supervisor
Rodel Capule Sound Effects Editor
Armando Jarlego Assistant Editor
Lino Brocka Director
Philippines 25 July 1985
These some of the most viewed trailers for movies released in 1985:
29 August 1985
Close childhood friends Teresa (Nora Aunor) and Cholo (Tirso Cruz III) were separated from each other for a while.
08 April 1985
Peter and Bozena are studying medicine, they love each other and want to be together. The girl, after a dramatic experience, breaks off contact with her parents and moves out.
13 January 1985
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders.
01 November 1985
This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth.
01 January 1985
A very beautiful and blind girl, Gülüşan, marries miller Mestan and becomes his third wife. Gülüşan is not welcomed by the other wives, resulting in a dangerous power struggle among them.
25 February 1985
At the beginning of the Civil War, Union gunboats sailed into Port Royal Sound, on the Sea Islands off the coast of Georgia.
01 January 1985
One of a series of short, open-ended dramas designed to stimulate discussion of values and ethics in relation to modern medical technology.
16 May 1985
A story about a man who has lots of different women and families.
01 January 1985
"Barbara Hammer's Optic Nerve is a powerful personal reflection on family and aging. Hammer employs filmed footage which, through optical printing and editing, is layered and manipulated to create a compelling meditation on her visit to her grandmother in a nursing home.
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Artwork, screen shots, trailers and other imagery is © 1985 Special People Productions.
