"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of speculation. All the senses are concentrated in this one head: eyes, ears, nose, lips, tongue and the skin which covers all with its network of vibrating nerves. One imagines the senses, the counterpart of our own, ready to respond with all the various moods, suggestions and agreements. Through the eyes alone, when placed in contact with our own, a visual dialogue and interplay is embarked upon. And when the lips, two bodies fitting together in perfect harmony, break into a smile, they invite further exploration. Then, with the engagement of time, this dialogue shifts from speculation to realization. The face transforms from its abstract suggestiveness to the singular projection of seduction. It is no longer anyones face; it is the face of one particular person" (Stephen Dwoskin)
Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.
A lifetime of taking shots has ended Rocky's career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
Ten years after a band of mercenaries first battled a vicious alien, the invisible creature from another world has returned to Earth -- and this time, it's drawn to the gang-ruled and ravaged city of Los Angeles.