Writer in need of money returns to his hometown to try to write a new book. But his addiction to alcohol causes strange dreams that take him 50 years back to a Mardi Gras tuesday, when he was a teenager.
Alternative movies trailers for Martes de carnaval
More movie trailers, teasers, and clips from Martes de carnaval:
MARTES DE CARNAVAL NAS EIRAS (1991)
Imaxes do filme "Martes de Carnalval" dirixida por Fernando Bauluz e Pedro Carvajal en 1991. Este filme foi filmado maioritariamente en San Miguel no Rosal ...
Martes de carnaval (1990)
Dirigida por Fernando Bauluz y Pedro Carvajal.
martes de carnaval.flv
Quiso esconder parte de su vida en una novela. Pero unir realidad y ficción hizo que se convirtiera en la verdadera victima de la historia. Fernando Guillen ...
Sergio Villanueva en MARTES DE CARNAVAL (2009).mov
Trabajo como actor de Sergio Villanueva en la Adaptación a cine de los tres esperpentos de Valle Inclán dirigidos por Jose Luis García Sánchez ...
Calle abajo 2009 martes de carnaval bodas de oro
Tradicional desfile de el martes de carnaval de calle abajo de las tablas en un carro alegorico que es una replica de la corona y medallas otorgadas a nuestra ...
Popular movie trailers from 1991
These some of the most viewed trailers for movies released in 1991:
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
A group of professional commandos have to rescue a young female hostage from the drug cartel. Once in the jungle, they're being killed one by one by a fearful enemy.
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance collaboration created by artist David Wojnarowicz and composer/musician Ben Neill in 1989.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Claude, a militant anarchist, is caught stealing and is shot by a policeman while fleeing the scene. Dodo, a hairdresser, is hit by one of the stray bullets.
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