Ludwig van Beethoven's lone opera -- written during the Napoleonic era -- stands as a stirring tribute to humanity's unceasing pursuit of liberty and autonomy. Featuring a first-rate cast that includes Gabriela Benacková, Josef Protschka and Neill Archer, this critically acclaimed production moves at a brisk pace, led by maestro Christoph von Dohnányi. Recorded in 1991 at Great Britain's Royal Opera House.
Praised by critics as “magnificent”, “breathtakingly theatrical” and full of “zestful imagination”, Melly Still’s “spine-tingling” Rusalka is a Glyndebourne classic – a magical contemporary reimagining of a much-loved fairy tale.
Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine.
This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score.
There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious.
A brilliant young fund manager leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer in the Scottish Highlands.
This film takes us behind the scenes of the magical events of the world famous Vienna State Opera. These one-of-a-kind scenes and fast-paced, brilliant moments are intense, vivid, full of passion and captivating music.
With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera.
This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro.
Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods.
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