Since her thrilling, 1995 debut at the San Francisco Opera, soprano Anna Netrebko has starred with opera companies and orchestras worldwide. This video gathers some of her best moments in excerpts from Giacomo Puccini's "La Boheme"; Charles Francois Gounod's "Faust"; Wolfgang Amadeus Mozart's "Don Giovanni"; Vincenzo Bellini's "La Sonnambula"; and Antonin Dvorak's "Rusalka." Also included are interviews with Netrebko and her colleagues.
This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score.
There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious.
With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera.
This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro.
Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods.
Weber was at the forefront of the rise of German Romantic opera and sought to dethrone Rossini from his position as the leading operatic composer in Europe.
Captain Vere, an old man, is haunted by a moment in his life when he was tested and found wanting. Based on Herman Melville's novella of naval life in the late 18th Century, Benjamin Britten's 'Billy Budd' is a gripping reflection on good and evil, innocence and corruption.
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
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Anna Netrebko: The Woman the Voice (2003)
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