An avant-garde film presented as part of an exhibit at the Museum of Modern Art. From MoMA's catalog: "For the monumental installation Play Dead; Real Time, (director Douglas) Gordon arranged for a circus elephant to be transported to Gagosian Gallery, in New York City, where he filmed it obeying a series of commands (repeatedly lying down and then awkwardly struggling to rise). Like many of Gordon's protagonists, the elephant is subject to greater forces, beyond its controL Simultaneously presenting several different versions of the scene, in front and rear projections and on a monitor, the work depicts the event from a range of perspectives rather than from a single static viewpoint."
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
From Angry Bible Thumpers to Infamous Hall H Lines, This is an Appropriated Video Essay Covering the Negative Changes that San Diego Comic Con Has Gone Through This Passed Decade Alone.
Marcel Broodthaers’ film and book, both titled A Voyage on the North Sea which were distributed together as part and parcel of the same publishing plot.
The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil.
The mute documentary-experimental film "Ten Minutes of Silence" is a film expression of the trends embodied in the painting "Black Square" by Malevich and J.
Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it.
Alternative movies trailers for Play Dead: Real Time
More movie trailers, teasers, and clips from Play Dead: Real Time:
Play Dead; Real Time (Election Night)
Documentation from a performance-installation on election night November 4th 2008. This title was appropriated from Douglas Gordon's 2003 video installation ...
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A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.