An access all areas look at the band's history including footage from their early dayts to 2014's epic Let The Ocean Take Me World Tour, filmed in locations from all corners of the glove including Australia, Europe and the U.S.A. 'Seems Like Forever' not only follows TAA's meteoric rise to become one of Australia's most accomplished bands but also features interviews with the team that have supported them over that time including management, their label Roadrunner Records, booking agents and even some high profile Amity Fans.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN.
Follows the history of the Cameleers, men who opened large areas of land in the Australian central desert using camels, and their struggle to be accepted as Australians in a country where their families have been for over a hundred years.
When an Iranian-Canadian filmmaker hears the story of Master Ghadamyar- a Kurdish 120-year-old Tanbur player, he takes off on a mission to discover more about this spiritual master's musical and enchanting life.
Combining rare original archive footage, home movies and authored by 40 intimate interviews with friends and celebrity fans this feature length film charts Nat "King" Cole's battle with racist 50’s America to become a superstar.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars.
"Holland Road, located off NY Route 5 in between the town of Angola and Evangola State Park, is more frequently known as "Pigman Road" and it has been at the forefront of Western New York folklore for decades.
The Democratic Republic of Congo has been called a geological scandal due to its mineral rich soil. Unfortunately, those minerals, necessary to sustain today's technology, are funding the deadliest war since WWII.
The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.
