Jud Yalkut Trailers
Global Groove TrailerThe Stone Age TrailerDiaries, Notes, and Sketches Trailer
Total trailers found: 46
28 December 1974
Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city.
03 November 1976
A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator.
01 January 1973
"Filmic impressions of composer John Cage, mushroom hunting on his home ground of Stony Point, New York; visiting his home for the last time; radiating love towards his friends; and buying fruits and vegetables at the farm market before returning to New York City.
15 July 1965
Part of a restored collection of rare early works by Nam June Paik, Electronic Fables is an example of Paik's early improvisations and experiments with electronic image manipulation, prior to his invention of the Paik/Abe Video Synthesizer.
15 July 1972
Part of the "Video-Film Concert" collection on EAI. From 1966 - 1972. Music by K. S. Narayanaswami.
01 January 1969
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images.
31 December 1967
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration.
01 January 1972
In 1969, Howard Wise presented the landmark exhibition TV as a Creative Medium at his eponymous gallery on 57th Street in New York.
01 December 1969
A four-screen within one frame film, shot in un-slit regular 8mm, in four sections of four performance / happening / destruction art events presented in 1967 at the Judson Gallery below Washington Square in New York City.
01 January 2002
Yalkut creates a poetic homage to Lazlo Moholy-Nagy's pioneering 1930 kinetic sculpture Light-Space Modulator, which was reconstructed at the Howard Wise Gallery, New York, in 1970.
01 January 1971
TV Cello Premiere is a silent film documentation of Charlotte Moorman in her first performance on Paik's eponymous TV Cello at the Bonino Gallery in New York in 1971.
01 January 1966
Credits: Slides by Jackie Cassen. Choreography by Mary McKay and danced by her. Sound: Bach, The Beatles, and the voice of Ralph Metzner reading a "Psychedelic Prayer" by Timothy Leary.
01 January 1973
This tape is Jud Yalkut's video realization of Charlotte Moorman and Nam June Paik's concert performance of John Cage's composition 26'1.
31 January 1970
"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante
01 January 1973
Video computer imagery inspired by Sufi poet Jala al-Din Rumi, Father of the Whirling Dervishes.
01 January 1968
PLANES is an exploration of the corollaries between psychic space and the physical escape of consciousness beyond the earth's biosphere.
01 January 1965
"This sensuous sea of color, motion, light that seems to surround us completely and we swim in it almost bodily and it is like going through the most fantastic dream.
01 January 1968
Marked by a playful, irreverent sense of improvisation and experimentation, these experiments with image manipulation and synthesis form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated video works and installations of his later years.
01 December 1967
Yalkut's film is the only record of Nam June Paik's legendary 1967 performance Opera Sextronique in New York, which was interrupted by the arrest of cellist Charlotte Moorman, who was performing topless.
01 January 1966
1966, 16mm film on video, black-and-white and color; 10 minutes
14 February 1967
Document of 1960's rock-and-roll cult band The Godz. Contains footage of a few mid-60's performances as well as candid footage of the band.
15 July 1967
Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient.
01 January 1967
In Missa of Zen, a TV screen, filmed from an extremely oblique angle, appears as a ghostly, flickering sliver at the side of a darkened frame.
11 July 1973
The ritual of amorous adventure among the domestic peccaries of North America.
04 November 1994
A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.
03 December 1968
A poetic montage of the 'sculpture garden house' of 67 year old hermit-builder Clarence Schmidt of Woodstock, New York, appraised as 'a really great work of folk art' by curators Lawrence Alloway and Henry Geldzahler.
15 July 1966
Part of the "Video-Film Concert" collection released by EAI. From 1966 - 1972.
16 May 1973
As though one gradually becomes aware of the music of the universe, the Dead break into consciousness as their images merge with the oneness of light, becoming discrete momentarily, then dancing away to the cosmic rhythm that permeates reality.
31 December 1969
The 7th Avant Garde Festival was presented in 1969 on two islands, Wards and Mill Rock, in the East River.
31 December 1972
Yalkut's rare historical document was recorded at the 4th Avant Garde Festival in 1966, which was held outdoors in Central Park.
01 March 1968
Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols.
01 January 1972
A hybrid film-video work that combines moving image technologies, electronic manipulations, performance and installation.
01 January 1973
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials.
01 January 1966
Abstract light poem tribute to Julio Le Parc, first winner at the 1966 Venice Biennial of a Painting Prize for Kinetic Art, filmed at the Howard Wise Gallery in New York.
01 January 1972
This early work belongs in the company of Paik and Yalkut's classic collaborative "video-films," including Video Tape Study No.
01 January 1992
Video Commune is Jud Yalkut's free-form documentation of Nam June Paik's first interactive television "performance" at the public television station WGBH in Boston.
08 May 1966
A kinetic alchemy of light and the electronic works of Nicolas Schoffer, Julio Le Parc, USCO, and Nam June Paik.
01 January 1970
"Comprises film and videotape from the August (1969) epic freak-out in New York State (White Lake- "Woodstock") with all the groups you can name, and a cast of half a million.
01 January 1969
An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.
01 January 1967
Unused material: Yalkut documented Kusama's Body Festivals throughout the so-called Summer of Love, including one staged in the studio of WBAI and broadcast live on Bob Fass's late night Radio Unnameable.
01 January 1972
Timothy Leary at the Village Theatre, Kusama at the Cooper Square Playhouse, Hermann Nitsch “Orgy-Mystery” at the Filmmakers’ Cinematheque; Living Theatre’s “Paradise Now” at BAM; 7th Annual New York Avant Garde Festival, Wards Island, “Television as a creative medium” Howard Wise Gallery and more.
08 May 1966
USCO light, Beatles sound. A visionary realization of the USCO Riverside Museum installation exhibition in New York, the show which introduced the word 'Be-In' to the English language.
15 July 1966
Waiting for Commercials is a hilarious compendium of Japanese TV commercials. "Beckett wrote 'Waiting for Godot' twenty years ago, but instead of Godot, TV commercial after TV commercial arrived".
01 January 1982
Loops within loops, audio and video mutually affective and early computer-generated delay and window effects.