Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.
The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes.
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.
A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September.
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996.
Alternative movies trailers for Diaries, Notes, and Sketches
More movie trailers, teasers, and clips from Diaries, Notes, and Sketches:
Jonas Mekas - Walden (part I )
"um dos principais dinamizadores do pequeno universo underground da Nova Iorque de 60 e nossa percepção dessa avant-garde não seria a mesma ...
Walden Diaries Notes & Sketches (1969) "I dont search anything i am happy"
a Documentary by Jonas Mekas "Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: ...
Walden: Diaries Notes and Sketches (Walden: Diarios notas y esbozos) #21MIDBO
Walden: Diaries Notes and Sketches (Walden: Diarios notas y esbozos) Jonas Mekas Estados Unidos / 1964 - 1969 / 180 min. Filmado entre 1964 y 1968 ...
Luigi Porto - On Walden (homage to Jonas Mekas)
Video is an extract from "Walden - Diaries Notes and Sketches" Jonas Mekas 1969. Music: "On Walden" by Luigi Porto from "My My After World" (2004) ...
J Mekas 'Diaries Notes & Sketches a.k.a. Walden'
Film 16 mm shown as video projection colour and sound at Tate Liverpool.
WALDEN
Director: Jonas Mekas. País / Country : USA. Año / Year: 1959. Duración / Running time :180 Género/ Genre: Exoerimental SINOPSIS: Rodada entre 1967 y ...
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
