Robert Huot Trailers
Zorns Lemma TrailerManual of Arms Trailer
Some painters and sculptors approach our art with a kind of chauvinistic arrogance. Their use of film, however interesting as documentation, is fundamentally exploitative. Robert Huot has been one of the most inventive and rigorous of the younger generation of radical painters. He brings the same attributes to film, along with an inquisitiveness that is by no means cautious. He tries, not to exploit film, but to find out what film is. Huot's films will seem 'simple' to many. In fact, he is doing basic work that we film-makers ought to have done for ourselves decades ago, work that is both an addition and a reproach to film art.
Most Popular Robert Huot Trailers
Total trailers found: 43
02 February 1992
Dark, Scenes from the Barn superimposes bucolic barnyard activities with jarring images of hidden dee
01 January 1970
The motif of having people slowly approach the camera first appears in Nude Descending the Stairs, an interesting minimalist work made up of three single-take, single-angle black and white silent rolls during each of which one person - in one instance, Huot dressed in a white painter's jumpsuit; in the others, a naked woman (Marie Antoinette) - slowly descends a four storey staircase toward the camera.
01 January 1969
“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila Raj) lowers a covering of some kind, slowly revealing her naked body.
02 January 1972
Film by Robert Huot.
01 March 1984
The Super-8 films include some of Huot’s most impressive filmmaking and some of the most impressive Super-8 filmmaking I’ve seen anywhere.
01 January 1980
Costumed Capers...Fetish and Fantasy...Punk Pleasure...a must for those who enjoy erotic humor.
01 January 1967
LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so completely that essential qualities and potentials of the materials of film can be felt.
09 September 1979
Super 8 diary film by Robert Huot
01 January 1971
Film by Robert Huot.
01 January 1967
Two reels projected simultaneously, with slight variations in speed.
01 January 1978
…was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing.
15 May 1971
A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of different density and speed.
01 January 1969
In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader, organized as a pair of inversely related geometric progressions.
01 January 1974
"Beautiful Movie" is a filmic cameo during which a passage of blue film leader and clear film painted red introduces a lovely image of a woman, naked from the waist up, sitting on a brass bed, combing her hair.
01 January 1969
By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic.
01 January 1981
A punk spoof with music by Georg Deitl, lyrics by Robert Huot, performed by George A and The Super Connie featuring Bobby Beethoven.
31 December 1966
In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities.
01 April 1970
Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathematician Max Zorn in 1935.
01 January 1967
“An extraordinary ebbing and flowing, dotting and pulsing ‘abstract’ field film. The filmmaker-painter Huot painted this film by spray painting a 12 minute length of clear film.
01 January 1970
One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent.
07 September 1973
This film is the quadruple superimposition of four faces, two men and two women. These images often appear to be one fantastic undulating face perpetually changing.
02 January 1972
“…(a) serialist comparison-contrast of the variations in nine naked male and female torsos.
