Takahiko Iimura Movie Trailers
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Showing results: 61-92 of 92
Models: B-1: Counting, 100 Or X's Trailer (1972)
01 January 1972
Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film.
Models: A-3: Time Length 1,2,3,4 Trailer (1972)
01 January 1972
"These two reels (A-1~4, B-1~4) of MODELS I think are unusually important works. You are certainly one of the filmmakers to so explicitly direct your effort to the amazing aesthetic question of the internal calibration of consciousness.
Concept tape 3 (Performance) Trailer (1991)
01 January 1991
A compilation tape of performances including John Cage Performs James Joyce, Arakawa, and Iimura's first AIUEONN and As I See You You See Me shot mostly 1980s.
A Rock In The Light Trailer (2008)
30 June 2008
In “A Rock In The Light”, I requested the music of Haruyuki Suzuki, a contemporary composer. This music is unified with the image, which is visually structured, setting the rock at the center, along the axis of light.
Iro (Colors) Trailer (1966)
01 January 1966
First projected onto Jiro Takamatsu's naked back at the legendary Sogetsu Art Center for the performance Screen Play, Colors is an experiment in concoction.
Rose Color Dance Trailer (1965)
01 March 1965
A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh.
Honey Moon Trailer (1966)
01 January 1966
A touching portrait of his partner Akiko and the days following their wedding, Iimura's conceptual rigour loosens in favour of intimacy in Honey Moon.
In The River Trailer (1970)
01 January 1970
Iimura analyzed some footage he had made in Katmandu of a man taking a bath in a sacred river. A meditational experience is, thus, presented in a film whose minimal action and quiet pace can create meditational possibilities for viewers -Scott MacDonald (Afterimage, April, 1978, N.
Man and Woman Trailer (1971)
01 January 1971
MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They s
Moments At The Rock Trailer (1985)
30 June 1985
“Moments At The Rock,” shot with an amateur video camera, was made as a free style improvisational film.
Fluxus Replayed Trailer (1991)
01 January 1991
The film reproduces the historic performances by some of the iconic artists of Fluxus from the 60s: Nam June Paik, Yoko Ono, Dick Higgins, George Brecht, Alison Knowles, Ben Patterson, Jackson Mac Low etc.
Onan Trailer (1963)
28 December 1963
“ONAN is a work about desire (masturbation) which has no object but itself. The appearance of the large egg objectifies the man's desires.
Desade Trailer (1963)
01 January 1963
From the collector of Marquis de Sade in the early 1960s, still a 'dark age ' of erotic picture, even his novels were forbidden to publish in Tokyo, I burrowed the copies of the engraving taken from the 18th century edition of "The story of Juliette" and of "The story of Justine.
Air's Rock Trailer (1985)
01 June 1985
A portmanteau of two films about Uluru (then known as Ayres Rock). "A huge isolated rock in the midst of desert in Australia: Ayers Rock.
KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts– Trailer (2013)
10 April 2013
Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.
Dead Movie Trailer (1964)
01 January 1964
Film installation by Japanese experimental filmmaker Takahiko Iimura.
6x6 (Oukan Densentsu) Trailer (1962)
13 August 1962
A boy and a girl in a small room, having a fight, making love and suddenly . . . a black humor on a young couple.
A Dance Party in the Kingdom of Lilliput Trailer (1964)
01 January 1964
A super-real comedy with Sho Kazakura. The film is divided in to a number of very short scenes or chapters, each with a title "A,B,C" at random.
I Saw the Shadow Trailer (1966)
01 January 1966
A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he roams around streets, steps and fields.
Dada 62 Trailer (1962)
01 January 1962
Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage of the challenge by provoking the organisers with their submissions that cast a question on the framework of art within the gallery space.
Associations of Silverpencils Trailer (2011)
01 January 2011
This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema.
On Eye Rape Trailer (1962)
01 January 1962
"The original film was rescued from a Tokyo trash bin. It is an American sexual education film in which plant and animal sex are explained.
Junk Trailer (1962)
01 January 1962
"It's a mixture of [dead] animals, pieces of [broken] furniture, industrial waste, kids playing. I didn't have in mind any of the kind of historical perspective, nor was I trying to make an ecological statement.
Sync Sound Trailer (1978)
01 January 1978
Using the system of academy leader: 10 to 1, the film replaces the number to white space with bip sound (clear leader) gradually until it reaches to complete white.
MA: Space/Time in the Garden of Ryoan-ji Trailer (1989)
01 January 1989
The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape" style.
New York Scenes Trailer (1967)
01 January 1967
‘New York Scenes’ (1967) is sketches of certain scenes and portraits in New York including, ‘Linda with a lens’, ‘Fire hydrants on Broadway’, ‘Jack Smith with his ‘Flaming Creatures’, ‘Akiko on the roof’, and ‘A hippie at the Central Park’.
The Pacific Ocean Trailer (1971)
01 January 1971
Shot on 8mm on the 12-day boat journey between Yokohama and San Francisco, Iimura's The Pacific Ocean consumes the anticipation and uncertainties of a voyage on waves with an obsessive attention on the ripples.