Teo Hernández Movie Trailers
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Showing results: 121-164 of 164
Feuilles d'été Trailer (1983)
20 June 1983
Teo Hernández films some friends in a park under the Parisian summer heat.
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II) Trailer (2014)
04 September 2014
Gong Trailer (1981)
27 November 1981
A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.
4 à 4 Métro-Barbès-Rochechou-Art Trailer (1983)
16 March 1983
In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.
Cristaux Trailer (1978)
22 December 1978
The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural.
Michel Over There Trailer (1970)
01 April 1970
The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our journey continues.
Salomé Trailer (1976)
01 January 1976
A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.
Sol y sombra Trailer (1988)
09 November 1988
Short film by Teo Hernández that serves as a travelogue of a visit to Granada.
Lacrima Christi Trailer (1980)
19 April 1980
Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández.
Le gant de l'autre Trailer (1977)
14 June 1977
Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.
Tables d'hiver Trailer (1979)
02 December 1979
Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue des Entrepôts.
Pause Trailer (1970)
01 July 1970
An early Téo Hernandez film exploring the space of a garden. Shot in July 1970 in the Carlsberg Glyptotek garden in Copenhagen, Pause is a 8 mm black‑and‑white silent short in which Téo Hernández roams the museum garden, alternating tight close‑ups of bodies (hands, feet, faces) and textures with sculptures and vegetation; the camera’s halting, scanning movement turns the stroll into a study of matter, framing and rhythm.
Michel Nedjar Trailer (1978)
01 January 1978
Splendid portrait of the artist Michel Nedjar making one of his dolls, which allows to fully follow the entire genesis of the act of creation.
Graal Trailer (1980)
25 July 1980
The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the subjects at all times.
Angle Trailer (1978)
01 March 1978
"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture.
Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I) Trailer (2014)
24 September 2014
Le Déjeuner Trailer (1988)
19 November 1988
Filmed in 1988 on the occasion of the parties at the house of Marie-Noëlle Delorme. Shot with camera in hand to small bursts of frames and almost image by image, but then slowed down.
Foire du trône Trailer (1982)
02 March 1982
Foire du trône was made in a big annual Paris fair, like Coney Island. I filmed the people and the games, and that forms the first part of the film.
Chutes de Lacrima Christi Trailer (1984)
31 December 1984
Chutes de Lacrima Christi is an 95‑minute experimental collage film assembled entirely from unused outtakes of Teo Hernández’s earlier work Lacrima Christi.
Esmeralda Trailer (1977)
31 December 1977
With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the constitution, by interposed myths, of a baroque cinematographic language.
Liberté provisoire Trailer (1977)
31 May 1977
Liberté provisoire takes from everyday life, transforming the ordinary into a sensory delight. Walks in the Belleville district, Ménilmontant, leading to Père Lachaise cemetery, to the tombs of Piaf and Sarapo.
Midi Trailer (1985)
04 December 1985
Filmmaker's diary during his visit to the southern region of France.
Avec Bernardo Trailer (1991)
01 January 1991
Portrait of the contemporary dance dancer and choreographer, Montet Bernardo.
Souvenirs/Florence Trailer (1981)
01 January 1981
Téo Hernandez's series of Memories... transcribes perfectly the filmmaker's vertiginous ability to capture a city from a few well-chosen places; the juxtaposition of architecture and people creates a mosaic of sensations, exalted by the syncopation of the zooms and cascading shots, clues to the "manner", the "filmmaker's paw".
Bouquet of Eyes Trailer (1983)
31 December 1983
Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against the notion of authorship: a vindication of the community content (repressed?) in every image.